Couplet
I rest my case, sophisticated,
And I had it, then I managed and
You talked me through it, baby, do it.
Well, you saved me, then you made me
Rich and famous, living legend,
Lies and games, I died in vain,
Blowin' my own ashes in the wind.
Refrain
Tell me what you want me to do,
I'll do it for anyone who loves me.
Tell me what you want me to be,
I'll do it for anyone who loves me.
Post-refrain
We're not your fancy dolls,
You better set us free, or else
We're not your fancy dolls,
You better set us free, or else
Couplet
I rest my case, domesticated
And I hired guns, I hired some
To fake it 'til I make it, baby.
Well, you saved me, then you made me
Rich and famous, kiss and babies,
Lies and games, I died in vain,
Blowin' my own ashes in the wind.
Refrain
Tell me what you want me to do,
I'll do it for anyone who loves me.
Tell me what you want me to be,
I'll do it for anyone who loves me.
Post-refrain
We're not your fancy dolls,
You better set us free, or else
We're not your fancy dolls,
You better set us free, or else
Pont
'Cause the sky is a lonely place to be.
Ooh-ooh-ooh, it doesn't matter
'Cause the sky is a lonely place,
The sky is a lonely pla–ace.
Tell me, what'd you want me to?
I'll do what you want me to.
Refrain
Tell me what you want me to do,
I'll do it for anyone who loves me.
Tell me what you want me to be,
I'll do it for anyone who loves me.
Post-refrain
We're not your fancy dolls,
You better set us free, or else
We're not your fancy dolls,
You better set us free, or else
Pour faire comme dans la chanson,
lorsque vous voyez deux accords
entre [ ], ne jouez pas le premier
accord, mais laissez plutôt résonner
l'accord précédent les [ ], qui est
le même accord que le premier accord
entre [ ]. Ensuite, jouez le 2e accord
entre [ ]. N'oubliez pas que
les accords entre [ ] dans kikijam
sont 2 fois plus rapides.